By Steven E. Aschheim
Brothers and Strangers lines the historical past of German Jewish attitudes, rules, and stereotypical photos towards japanese ecu Jews, demonstrating the ways that the old rupture among japanese and Western Jewry constructed as a functionality of modernism and its imperatives. by means of the Eighteen Eighties, so much German Jews had inherited and used such adverse photos to represent rejection in their personal ghetto prior and to stress the distinction among smooth “enlightened” Jewry and its “half-Asian” counterpart. additionally, stereotypes of the ghetto and the jap Jew figured prominently within the development and disposition of German anti-Semitism. now not all people shared those adverse preconceptions, despite the fact that, and through the years a competing post-liberal picture emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, improvement, and outcomes of those altering forces of their frequently complicated cultural, political, and highbrow contexts.
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