By Reuben Sánchez
This publication analyzes the iconographic traditions of Jeremiah and of depression to teach how Donne, Herbert, and Milton every one models himself after the icons provided in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah within the good of Moses, and Michelangelo's fresco of Jeremiah within the Sistine Chapel.
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